Search Musical Cyberspace:
Musical Cyberspace Archives
- Abe Burrows Aida Alan Jay Lerner Alan Menken A Little Night Music Andrew Lloyd Webber Angela Lansbury Annie Get Your Gun Arthur Laurents Beauty and the Beast Ben Elton Broadway Cabaret Camelot Carousel Cast Recordings Chicago Cole Porter Commentary Company Disney Dreamgirls Elton John Ethel Merman Follies Frank Loesser Fred Ebb Glenn Slater Guys and Dolls Gypsy Haiku Hairspray Harold Prince How to Succeed in Business Without Really Trying Into the Woods James Lapine Jerry Herman Jesus Christ Superstar John Kander La Cage aux Folles Legally Blonde Leonard Bernstein Liza Minnelli Lorenz Hart Love Never Dies Maury Yeston Michael John LaChiusa Movies Musicals My Fair Lady Nine Oklahoma! Oscar Hammerstein II Patti LuPone Photographs Promises Promises Ragtime RENT Richard Rodgers Rob Ashford Sondheim on Sondheim South Pacific Stephen Sondheim Sunday in the Park With George Sweeney Todd Theatremaking The Lion King The Phantom of the Opera The Sound of Music Tim Rice Tony Awards West End West Side Story Wicked YouTube
CategoriesAndrew Lloyd Webber Animation Arthur Laurents Broadway Cast Recording Reviews Commentary Concept Albums Concerts Disney Fun Stuff General News International Movies Musicals Newsflash Off Broadway Oscar Hammerstein II Photo Calls Regional Richard Rodgers Stephen Sondheim Television Theatremaking Theory and Practice The Saturday List Tim Rice Tony Awards Uncategorized West End YouTube
Error: Twitter did not respond. Please wait a few minutes and refresh this page.
Category Archives: Theatremaking
Today in 1989, Miss Saigon had its world premiere in London. Here’s a little quiz to celebrate. Continue reading
There are three separate elements of divine integration in musical theatre: the book, the music and the lyrics. Continue reading
In 1997, two different versions of the “Titanic” story were told in two different styles in two different mediums. The film a fictional love story set against the backdrop of the ill-fated ship of dreams, while the musical used the stories of the real life Titanic passengers as a basis for its tale.
Maury Yeston and Peter Stone’s TITANIC features one of the best musical theatre scores of the 1990s – but so does Terrence McNally, Lynn Ahrens and Stephen Flaherty’s RAGTIME. Continue reading
Is the “Montage” that takes us from Eva’s final collapse through to her deathbed “Lament” is really a satisfying moment dramatically. Continue reading
Although I’m a fan of the show, Maury Yeston and Peter Stone’s TITANIC has its critics. One of the most common criticisms I’ve heard in regard to the show has to do with its lyrics. So I thought I’d give the cast album another listen with this particular focus at an entry point. Continue reading