Search Musical Cyberspace:
Musical Cyberspace Archives
Recent Comments
- Hal Prince Dies at 91 on PARADISE FOUND at the Menier Chocolate Factory
- Kevin Lobat on March Monikers: “Adelaide’s Lament”
- Kevin Lobat on Single-Song Showstopper: “Sit Down You’re Rocking the Boat”
- David Fick on Monday Meditation: I am Over Being Polite about Homophobia
- David Fick on The Saturday List: “Joseph’s Coat” – or a List of Colourful Songs, Part 1
- Abe Burrows
- Aida
- Alan Jay Lerner
- Alan Menken
- A Little Night Music
- Andrew Lloyd Webber
- Angela Lansbury
- Annie Get Your Gun
- Arthur Laurents
- Beauty and the Beast
- Ben Elton
- Broadway
- Cabaret
- Camelot
- Carousel
- Cast Recordings
- Chicago
- Cole Porter
- Commentary
- Company
- Disney
- Dreamgirls
- Elton John
- Ethel Merman
- Follies
- Frank Loesser
- Fred Ebb
- Glenn Slater
- Guys and Dolls
- Gypsy
- Haiku
- Hairspray
- Harold Prince
- How to Succeed in Business Without Really Trying
- Into the Woods
- James Lapine
- Jerry Herman
- Jesus Christ Superstar
- John Kander
- La Cage aux Folles
- Legally Blonde
- Leonard Bernstein
- Liza Minnelli
- Lorenz Hart
- Love Never Dies
- Maury Yeston
- Michael John LaChiusa
- Movies
- Musicals
- My Fair Lady
- Nine
- Oklahoma!
- Oscar Hammerstein II
- Patti LuPone
- Photographs
- Promises Promises
- Ragtime
- RENT
- Richard Rodgers
- Rob Ashford
- Sondheim on Sondheim
- South Pacific
- Stephen Sondheim
- Sunday in the Park With George
- Sweeney Todd
- Theatremaking
- The Lion King
- The Phantom of the Opera
- The Sound of Music
- Tim Rice
- Tony Awards
- West End
- West Side Story
- Wicked
- YouTube
Categories
Andrew Lloyd Webber Animation Arthur Laurents Broadway Cast Recording Reviews Commentary Concept Albums Concerts Disney Fun Stuff General News International Movies Musicals Newsflash Off Broadway Oscar Hammerstein II Photo Calls Regional Richard Rodgers Stephen Sondheim Television Theatremaking Theory and Practice The Saturday List Tim Rice Tony Awards Uncategorized West End YouTubeFacebook
Tweets
- @GaryHartleySA There can be miracles, when you believe. 14 hours ago
- @GaryHartleySA https://t.co/ePwoj6JTsC 2 days ago
- RT @purple_nerd11: Having to constantly assess every new social situation to see if I can be comfortable with the people involved and if no… 1 week ago
- Discovering the Twitter community of #teachers/#educators/#learningarchitechts has been life-changing. Seeing other… twitter.com/i/web/status/1… 1 week ago
- This was an incredible day's work and it gave me a language to get some of my fellow #learningarchitects on board w… twitter.com/i/web/status/1… 1 week ago
Blogroll
- 5th Judge
- Adrian's Blog
- All That Chat
- Andrew Keenan-Bolger's Blog
- Bugaboo Musings
- Dickie and Butch
- Finishing the Chat
- Follies Fixing
- In the Now
- Les Misérables
- Lorenz Hart
- Megan's Head
- Mission Musical Theatre
- New Musical Theatre
- Playbill
- Pony Roach Theatre Reviews
- Real Review
- Sarah Taylor Ellis
- Story Teller
- Trekkie Trading
- WordPress.com
- WordPress.org
- Writing Studio
Meta
Tag Archives: The Light in the Piazza
Michael Kunze and “Dramamusicals”
BroadwayWorld recently published an interview with Michael Kunze about his musical adaptation of Rebecca, which is aiming for an English language transfer to the a major commercial centre like the West End or Broadway. Kunze takes great pains to try … Continue reading →
Posted in Broadway, Musicals
|
Tagged Andrew Lloyd Webber, Billy Elliot, Broadway, Cabaret, Camelot, Carousel, dramamusical, Elisabeth, Fiddler on the Roof, Follies, Jesus Christ Superstar, Marie Christine, Michael Kunze, Musicals, Opera, Oscar Hammerstein II, Pacific Overtures, Rebecca, Richard Rodgers, South Pacific, Stephen Schwartz, Sweeney Todd, Tanz der Vampire, The Light in the Piazza, The Phantom of the Opera, The Woman in White, Wicked, Winnie Holzman
|
4 Comments
Michael John LaChiusa and the “Faux Musical”
Opera News published a super article by Michael John Lachiusa about the state of musical theatre. Entitled “The Great Grey Way”, the article is essential reading for anyone interested in musicals and how they are developing in this new century. … Continue reading →